And that's not all - this new AAS engine is also capable of a wide range of ethereal pads, unusual textures, and out-and-out weirdness. In fact, it's a far more versatile synthesizer that physically models a wide range of sounds generated by strings, such as the hammered strings of acoustic pianos, bouncing hammers of instruments like the dulcimer, the bowed strings of the violin family, and the plucked strings of guitar and pizzicato violin. However, it's led some musicians to assume that this product was designed to create hyper-realistic orchestral strings to compete with the various vast multisampled libraries now available. When you've experienced the many and varied sounds that it encompasses, 'String Studio' does seem the perfect moniker. You need imagine no longer, since I've been playing this instrument a lot over the last few weeks - it's String Studio, from Applied Acoustic Systems. You can listen to it acoustically or via a modelled magnetic pickup, and it has built-in multi-effects. You can pitch the strings with fingers or add frets, damp them, or shrink or expand the soundboard. Imagine a magic guitar which can be restrung with anything from two to 64 strings and played with a plectrum, bow, or bouncing hammers at any position along the strings. String Studio uses Applied Acoustics' physical modelling expertise to (in theory) generate the sound of any string instrument. Panel B contains the various modules that make up this unique physical string model and allow you to interact with its various parameters.
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